Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

Sunday, September 1, 2013

Sjors & Sjimmie Bible (1988).



At the end of the 1980's, working on stories for several comic publishers, I received this bible from Dutch publisher Oberon, as they were remarketing their comic magazine to focus on the long lasting Dutch comic 'Sjors & Sjimmie' (translated that would amount to 'George & Jim' I think). Normally, this was a one page gag strip that appeared weekly on the back of the magazine, but the publisher wanted to start putting out longer stories, and was seeking expansion of their regular team, consisting of Robert van der Kroft (artist) with Jan van Die and Wilbert Plijnaar (writers). This 27 page bible is in Dutch, but has many images by Kroft to explain how the comic should look and how the stories were supposed to work out. 

This popular Dutch comic originally started out in the 1930's as a continuation of the American comic strips 'Winnie Winkle' and 'Perry and the Rinkydinks' by Martin Branner which were very popular, but ceased to appear in The Netherlands back then. The Dutch version of the comic was created by famous Dutch artist Frans Piët and was continued by several others, until it was modernized and received it's final appearance by the team of van der Kroft, van Die & Plijnaar in the 1970's.

Today, the comic is no longer created and the magazine has ceased publication. Kroft and Van Die (with Evert Geradts) still work on their weekly comic 'Claire' for Flair magazine while Wilbert Plijnaar is succesful as a storyboard artist in California and recently worked on the 'Ice Age' and 'Despicable Me' franchises. 
I hadn't seen this thing in a long time and recently got hold of it through a friend, so I decided to put it up here! For more about 'Sjors & Sjimmie' check the official Dutch website. Remember, click to enlarge!




























Friday, July 5, 2013

Hal Foster Preliminary Sunday comic.

Just found this online. It's the preliminary artwork for a Prince Valiant Sunday comic page by Hal Foster, which is pretty rare! The finished page was published on 11-27-1977. The pencil layout includes a research note in the fourth panel about Aleta's formal headdress! (Click to enlarge). It is currently auctioned through Heritage.

Hal Foster (born in 1892) wrote and drew his comic 'Prince Valiant' since 1937. After 1970 he continued to write the strip up until 1980, collaborating with John Cullen Murphy, Gray Morrow and Wally Wood for the artwork. Foster died two years later, in 1982.





Wednesday, June 19, 2013

R.I.P. Kim Thompson.

Today Kim Thompson, co-founder of Fantagraphics Books died at the age of 56 after a battle with lung cancer. I never met Mr. Thompson myself, but his efforts and unrelentless commitment to publish many historic landmarks in the field of comics has made a profound impact on my life. My condolences to Gary and everybody at Fantagraphics and Mr. Thompson's family and close friends. What follows is the statement released today by Mr. Gary Groth,  his close friend and partner at Fantagraphics:



"Fantagraphics co-publisher Kim Thompson died at 6:30 this morning, June 19. "He was my partner and close friend for 36 years," said Gary Groth.

Thompson was born in Denmark in 1956. He grew up in Europe, a lifelong comics fan, reading both European and American comics in Denmark, France, and Germany. He was an active fan in his teen years, writing to comics — his letters appeared in Marvel's letter columns circa early 1970s — and contributing to fanzines from his various European perches. At the age of 21, he set foot, for the first time, on American soil, in late 1977. One "fanzine" he had not contributed to was The Comics Journal, which Groth and Michael Catron began publishing in July of 1976. That was soon to change.

"Within a few weeks of his arrival," said Groth, "he came over to our 'office,' which was the spare bedroom of my apartment, and was introduced by a mutual friend — it was a fan visit. We were operating out of College Park, Maryland and Kim's parents had moved to Fairfax, Virginia, both Washington DC suburbs. Kim loved the energy around the Journal and the whole idea of a magazine devoted to writing about comics, and asked if he could help. We needed all the help we could get, of course, so we gladly accepted his offer. He started to come over every day and was soon camping out on the floor. The three of us were living and breathing The Comics Journal 24 hours a day."

Thompson became an owner when Catron took a job at DC Comics in 1978. As he became more familiar with the editorial process, Thompson became more and more integral to the magazine, assembling and writing news and conducting interviews with professionals. Thompson's career in comics began here.

In 1981, Fantagraphics began publishing comics (such as Jack Jackson's Los TejanosDon Rosa's Comics and Stories, and, in 1982, Love and Rockets). Thompson was always evangelical about bandes dessinées and wanted to bring the best of European comics to America; in 1981, Thompson selected and translated the first of many European graphic novels for American publication — Herman Huppen's The Survivors: Talons of Blood (followed by a 2nd volume in 1983). Thompson's involvement in The Comics Journal diminished in 1982 when he took over the editorship of Amazing Heroes, a bi-weekly magazine devoted to more mainstream comics (with occasional forays into alternative and even foreign comics). Thompson helmed Amazing Heroes through 204 issues until 1992.

Among Thompson's signature achievements in comics were Critters, a funny-animal anthology that ran from 50 issues between 1985 to 1990 and is perhaps best known for introducing the world to Stan Sakai's Usagi Yojimbo; and Zero Zero, an alternative comics anthology that also ran for 50 issues over five years — between 1995 and 2000 — and featured work by, among others, Kim Deitch, Dave Cooper, Al Columbia, Spain Rodriguez, Joe Sacco, David Mazzuchelli, and Joyce Farmer. His most recent enthusiasm was spearheading a line of European graphic novel translations, including two major series of volumes by two of the most significant living European artists — Jacques Tardi (It Was the War of the TrenchesLike a Sniper Lining up His ShotThe Astonishing Exploits of Lucien Brindavoine) and Jason (Hey, Wait...I Killed Adolf HitlerLow MoonThe Left Bank Gang) — and such respected work as Ulli Lust's Today Is the Last Day of the Rest of Your Life, Lorenzo Mattotti's The Crackle of the Frost, Gabriella Giandelli's Interiorae, and what may be his crowning achievement as an editor/translator, Guy Peelaert's The Adventures of Jodelle.

Throughout his career at Fantagraphics, Thompson was active in every aspect of the company, selecting books, working closely with authors, guiding books through the editorial and production process. "Kim leaves an enormous legacy behind him," said Groth, "not just all the European graphic novels that would never have been published here if not or his devotion, knowledge, and skills, but for all the American cartoonists he edited, ranging from Stan Sakai to Joe Sacco to Chris Ware, and his too infrequent critical writing about the medium. His love and devotion to comics was unmatched. I can't truly convey how crushing this is for all of us who've known and loved and worked with him over the years."

Thompson was diagnosed with lung cancer in late February. He is survived by his wife, Lynn Emmert, his mother and father, Aase and John, and his brother Mark."


Thursday, April 25, 2013

An interview with Jacques Martin (1921-2010).

Following up on my last post, here's a two part interview with Jacques Martin, one of Europe's foremost artists, who worked as an assistant of Hergé for twenty years at his studio, collaborating on the Tintin comic book series. In Europe he is even more famous for his own comic book series, which covers the Roman era and features around a boy named 'Alex' (just like the series' title). It is exceptionally known for Martin's historical accurate and finely detailed artwork.

Martin worked at Studio Hergé from April 1950 until 1972, collaborating with several of Europe's leading comic artists, like Bob de Moore and Roger Leloup. So far 31 book of Alex have been published, although since 1996 the artwork is done by different artists.

The following interview is pretty recent and might be his last, as he died in 2010. I put the video's in a playlist below. Unfortunately, it is without subtitles, so I hope you can follow along. If not, you might still enjoy a look at all the original artwork that is featured.





I put some samples of Martin's original artwork below. Please click any of them to view at full size.


A cover for Tintin comic magazine July 1950 featuring Alex:


Page 6 from the 'Le Spectre de Carthage':


Original cover artwork for 'L' Odyssée d'Alix':





Some studies for 'Alex'
























Thursday, March 28, 2013

Milton Caniff Interview (1982)

Milton Caniff

In November 1982, Comic-Con founder Shel Dorf worked with legendary comic artist Milton Caniff (1907 - 1988) as a letterer for his famous comic 'Steve Canyon'. With help of Tom French he videotaped a lengthy interview with Caniff about his life and work on 'Steve Canyon' and 'terry and the Pirates'. Thankfully, this tape was digitized an publically made available.

The interview was split into 11 shorter videos, so put them all into a playlist below. Thanks to Charlie Roberts for providing the tape:




Here are some samples of Milton's original artwork for his comics. Truly amazing stuff from the Golden age ! (click to enlarge):


Milton Caniff Steve Canyon original art
Terry and the Pirates original art by Milton Caniff
Terry and the Pirates original artwork by Milton Caniff

Terry and the Pirates original artwork by Milton Caniff

Terry and the Pirates cover by Milton Caniff

Terry and the Pirates original artwork by Milton Caniff


Thursday, March 21, 2013

Congratulations Bongo Comics!

Congratulations to Bongo Comics and the team that's been working non-stop to bring you your favorite Simpsons comics as they've published their 200th issue this week! The first issue of the Simpsons comics was released over 20 years ago, Can you believe that?! Bongo Comics was founded in 1993 by Steve and Cindy Vance, Bill Morrison and of course, Matt Groening.


The special issue features the extra hilarious 'Mass Historia!' by Ian Boothby and Phil Ortiz, 'Moe meets his match' by Tony Digerolamo, Max Davison & John Delaney and 'The sweet taste of Justice' by Dean Rankine. Wraparound cover by Bill Morrison, Mike Rote and Nathan Kane. Go Here for more on the Simpsons and Bongo's other monthly comics, or here if you want to dig into every detail the history of the Simpsons comics have to offer. Congrats guys, and save some cake for me!!

Below: Bongo's covers of their first issue of the Simpsons from November 1993 (left), the celebratory 100th issue from November 2004 (middle) and the 150th issue from January 2009 (right). 



Tuesday, February 19, 2013

Don Rosa quits Disney comics and decides to tell us why...

Comic artist Don Rosa has built quite a following in the international comics scene. For most of his life he has been creating stories for Disney, and his most famous stories are about Uncle Scrooge. His work was published all over our little blue planet. Now however Don quits comics and explains why.

Recently Egmont published the 'Don Rosa Collection' in Sweden, Finland and Norway. For the nine volume series Don had to write several autobiographical texts, which he wasn' t happy about doing, as he wanted to be sincere about his experiences. Although painfull, Egmont decided to go ahead and publish his words as part of the last volume. At the very last moment however, the Disney Company stepped in and refused to allow his personal experiences to appear publicly.

Now Don Rosa tells us his story, honestly and names six reasons why he quits comics...and he does so personally through the internet on a private website:

Here are some quotes of his personal story:

"...How many people know how the “Disney system” of comics works? When I describe this to some fans when asked about it, they often think I’m kidding them or lying. Or they are outraged. But it’s an unfortunate fact that there have never been, and I ultimately realized there never will be, any royalties paid to the people who write or draw or otherwise create all the Disney comics you’ve ever read."

 "... My depression was a direct result of reasons #1 & 2, as you will see. Depression is a seriously debilitating problem, and hard to understand. I’ve learned that either you don’t know that you are gradually falling victim to it, or you are in subconscious denial that you are. I would never have imagined that I had a mental problem without knowing it."

"I thank Carl Barks for creating the comics that I loved so much that I serendipitously fell into the blessed work of paying homage to those great comics for over 20 years. And I thank you for receiving that work so graciously and making me feel very special… until they broke my spirit. But if you’ll excuse me… I think I’ll now go back to being only a fan."

To read Don's entire story please Check Here.

I think it's sad that such an enthusiastic and eager artist feels forced to quite the love of his life. Sure, he could persevere, but that would probably cost him his health. It's a shame to see people care more and more for making Millions of Dollars and less about developing a healthy climate for artists to flourish and pass their skills on to new, hopeful generations. This is not exclusive to the comics industry by the way, but also felt in other areas of the entertainment industry (movies, videogames, animation, VFX).

Don, I wish you all the best and hope that someday we will hear and see more great stories of you yet again, in any form.