Showing posts with label Peter Lord. Show all posts
Showing posts with label Peter Lord. Show all posts

Monday, April 30, 2012

"The Pirates!" Doesn't Go Over Like Gangbusters


Columbia/Sony Pictures Animation and Aardman Animations' The Pirates! Band of Misfits opened at #2 this weekend, which is good for an Aardman or stop motion animated film, but... It opened with just $11 million, making it the smallest opening for an Aardman film (even below Arthur Christmas) and it's now among the smallest opening weekend totals for a wide release animated film. It's just another indicator that Aardman's films don't really explode on opening weekend, along with stop motion films in general.

What held this back from doing well on opening weekend? Arthur Christmas was a much more accessible film, but that too did not score a good-sized opening weekend probably due to when it was released and whatnot. The Pirates! didn't have much competition from other family films, and it basically has opened in the quiet month before the summer blockbuster typhoon. Could it be that audiences just don't care for stop-motion? Well that doesn't seem right, given how well Chicken Run did not to mention the huge following that The Nightmare Before Christmas has. Coraline had a very small opening weekend but strong legs helped it pass $75 million stateside. It can't be that it's stop-motion.

I blame the marketing, again. Now to be fair with Columbia Pictures, this was probably a pretty hard sell here in the United States. Are the books well known here? Or is it just something that's more popular in the UK and elsewhere? Again, regardless of whether it was based on books or not, this probably came off as a Pirates of the Caribbean spoof for kids to American audiences. The trailers and commercials didn't mention the books, and just made it look like another silly kiddie romp. Now look at the UK trailers, much funnier. The first trailer alone makes you want to see it. The title change probably didn't help either. In the UK, the film is called The Pirates! In an Adventure with Scientists! since that's the name of one of the books it's based on. The Pirates! Band of Misfits is such a misleading title, and the trailers conveniently downplayed Charles Darwin who is a major character in the film. What, were they afraid of offending those who are against Darwin's theories? The film doesn't even make much mention of evolution or whatever, but since it's such a huge issue here, the marketing pretty much obscured Darwin and the whole idea that it's about science in nineteenth century England. Band of Misfits makes it sound like some kind of kids' film... Because you know, animation is totally for kids, right? What a shame.

In fact, Sony did try to make it more accessible to American audiences and kids. The Pirates! Band of Misfits is not the same film as The Pirates! In an Adventure with Scientists! Some of the more crude humor was toned down (not counting the leprosy joke, that was cut by Aardman themselves), and a few characters were recast, even though a majority of the characters have British accents. What... The... Hell? It's not as bad as what happened to something like The Magic Roundabout (a very British animated film based on a British children's show, that was completely re-dubbed and re-written for American audiences and released as Doogal), but come on! These studios need to stop pandering to kids. Aardman's original film was clearly a much more adult-oriented film that could still appeal to kids with its wacky hi-jinks and fun character designs, but they had to alter it for American audiences. I'm an American and I am offended, because this is a condescending practice that is ruining the animation industry while stifling creativity and also treating American audiences like they are dumb. Why couldn't Sony just give us what Aardman originally set out to do and market it as the wildly fun and quirky animated film that it is? Why does it have to be for kids? Why? Why? Why?!? The original version probably would've been more successful! Had they marketed it as a more adult-oriented film, maybe not too many people (and no offense to anyone's religious beliefs) would freak out and say "It's science-loving Darwinists trying to corrupt our children! Oh noes!" Fortunately, the cuts don't really affect the story in any way and the overall quality of the film, but still, it didn't need to be altered for the sake of a certain audience!

Not all is doom and gloom, though. The film has a chance to score great word of mouth, which Aardman films always get. However, with a 4x multiplier and a sub-$50 million gross, that won't look impressive alongside other animated films. Something subpar like The Lorax had no trouble making more than that on opening weekend. Losing 3D screens next weekend won't be a problem, since family films do better in 2D anyways. It'll need to pull some very strong legs in order to pass $50 million, because $100 million is probably out of reach by this point. A real shame, because this is another very good animated film that needs to do well, cuts or no cuts.

I was hoping that this year would be some sort of stop motion renaissance and be what 2009 wasn't. Well, with this film underperforming, we now have to see how ParaNorman and Frankenweenie will do. Stop motion films have a chance to perform well alongside the heavy-hitters, but poor marketing and the whole "animation is for kids" belief is what's holding them back. We need nice alternatives to the CGI films and family friendly films. These films, along with several independent animated films, are the alternatives. They'll never do a thing though, because many people still assume that "animation is for kids". Well guess what? It's time for them to wake up.

Anyways, did you see The Pirates! Band of Misfits? Or if you live in Europe, did you see Aardman's original unaltered film? Do you think stop motion animated films are just not marketable? Or do you think that non-CGI/non-family friendly films are marketed terribly and thus don't score? If you saw the original UK version of the film, are you upset that it had to be altered for American audiences? Sound off!

Sunday, April 29, 2012

"The Pirates!" is Another Winner from Aardman

QUICK FLICK REVIEW
The Pirates!
Band of Misfits
Directed by Peter Lord and Jeff Newitt
Written by Gideon Defoe
Produced by Julie Lockhart, Peter Lord and
David Sproxton
Distribution: Columbia Pictures
Studio: Aardman Animations / Sony Pictures Animation

Update: Turns out, the original British version of the film is different than the version we Americans got. In my original review, I referred to it by the original British title: The Pirates! In an Adventure with Scientists!, so I'll be going by the American title, the dreadful The Pirates! Band of Misfits.

Irreverent, funny and at times innovative, The Pirates! Band of Misfits is another home run hit for Aardman Animations. The film, based on the first two books in Gideon Defoe's The Pirates! series (he also wrote the screenplay), follows the adventures of the Pirate Captain (played by Hugh Grant) and his wily crew. The Pirate Captain desires to become the Pirate of the Year, but he's not that good of a pirate. The first act establishes this in a really fun way, as we see how the other contenders are so much better than he is. This plot is essentially the back bone to a much bigger plot, once the pirates wind up with Charles Darwin and his pet chimp, Bobo.

From there, the film becomes delightfully over-the-top. It's lot of fun, and best of all, the film itself knows it's ridiculous. It throws aways the rulebook and just simply goes out of its way to entertain, much like other irreverent films like Aladdin, The Emperor's New Groove and Shrek. It pretty much makes fun of several cliches while also poking fun at other films. The screenplay isn't spectacular by any means, but it does its job. It bombards you with silliness and humor that works. When I saw it, I noticed that the humor went over the heads of the audience members, both young and old. What a shame. Oh, and the cast? Most of them seemed to have a great time with this film, they give it their all. Hugh Grant shines as the lead. Unfortunately, the actors who re-dubbed the voices for this version didn't seem as enthusiastic.

The animation? Wonderful. Aardman's return to stop-motion animation is no dud, and the amount of work that went into making the film is astounding. This was probably a very tough project to tackle, and I'm guessing that this was in development for a while. CGI is used, which was inevitable, but it blends well although at times it didn't. (i.e. the sea monster that devours the ship) The film also makes use of (gasp!) traditional animation! That's right! The map montage scenes use classic hand-drawn animation, and trust me, the map scenes are very funny. The character designs are a return to the classic Aardman designs but with a few differences, something I missed in Arthur Christmas since their first CGI film (Flushed Away) still stuck to the classic designs. The character designs are fun, eye-catching and unique. They still have the Wallace and Gromit look, but they also look different in some ways.

If I had any problems with the film, it would've probably been the pacing. At times it really slowed down, but at other times it picked up and ripped through its runtime. At other times, the plot isn't anything special. It picks up significantly in the film's third act, which is wild and hilarious. By that point, the story's shortcomings don't matter. Another problem I had was that the version of the film we got was cut, apparently a few lines were re-dubbed to keep the PG rating and the Albino Pirate's voice was changed. In the original British version, he's voiced by Russell Tovey. In this version, he's voiced by Anton Yelchin. I noticed that his voice sounded different. A few other voices were changed as well. What a bummer. These changes were not necessary, but I'll save that for a rant.

B+. Another good film from Aardman that is significantly different from their earlier films, which is a good thing. Fine animation, a fun story and great performances make this film a riot worth seeing, despite the alterations made to this version of the film. Everything else works. Highly recommended.

Trailer Recap
I saw this in 2D in the afternoon. There weren't too many folks in the audience, and most of them didn't seem to enjoy it. It was pretty much the same reaction Arthur Christmas got when I saw that film a few months ago. The trailers we got? More of the same, but a few new ones... But no Brave trailer! Bummer.

Diary of Wimpy Kid: Dog Days - Ehhhh, not another one of these, but unlike most live-action children's films (yes, I consider these films children's films, not family films), this series is profitable. Thank goodness Judy Moody wasn't. - Opens August 3rd

To the Arctic 3D - This opened 9 days ago. Why did they show the trailer for this? We could've gotten the Brave trailer instead. Dang it!

Madagascar 3: Europe's Most Wanted - This trailer wasn't as bad as the last one, but I'm probably going to pass on this one. It just looks so silly and over-the-top, and not in a good way. Oh well, the animation is nice and colorful. - Opens June 8th

Despicable Me 2 - This trailer got laughs from everyone in the audience, something the main attraction unfortunately did not. Again, this is only the teaser. I can't say much. - Opens July 3rd, 2013

ParaNorman - The same trailer that was attached to Dr. Seuss' The Lorax. It looks really good, but here's hoping we get another trailer that doesn't focus on the comedy and more on the ghoulish stuff. - Opens August 17th

Hotel Transylvania - It looks alright at best, not too crazy about the fact that it has a star-studded cast. Still, Genndy Tartakovsky is the director and the animation looks nice. - Opens September 28th

Next Up: The Avengers!