Best Animated Short - 1950

And we are now ready to bid good-bye to the 1950s. It was a good decade, with tons of classic films and several years with only three Best Animated Short nominees and the golden age of baseball when the Yankees ruled the sport. But most of all it was the decade where almost but one of my aunts and uncle was born*. My oldest aunt was born in the year 1950, and so she is now closing in on her 63rd birthday in August, which makes her approximately the same age my grandma when I was born. Which means I'm now the same age that my grandmother was when she had my oldest aunt. My reaction to that is the same as Ludwig von Drake after his horrible pun in A Symposium on Popular Songs. But such is the effects of time. We're all getting older, and some day in the distant future we'll be as relevant as the people from the 1860s that went about their daily life.

*My mom's youngest brother was born in 1961.

Well, that's enough depressing stuff. Let's move onto the Oscars.

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Best Animated Short - 1956

The year 1956 is pretty significant even if neither of my parents were born that year. I did have an aunt born that year, on Christmas Eve no less. It was also the year that Mickey Mantle won the Triple Crown and his first MVP award. It remained so significant to him that he even dedicated a whole book about that season. I was reading through the book as a ten year old boy when I heard the devastating news that Mantle had died from metastatic liver cancer. It was very tragic to me. I never did get to meet my childhood baseball hero, but I did get to visit his grave over 15 years later.

And finally, 1956 was the earliest year where I saw every Best Picture nominee.

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Module 9: UPA and American Independents

Columbia started out as one of the lesser players in the animation industry, constantly overshadowed by the titans of Disney, Warner Bros., and MGM. However, in the 1940s they contracted United Productions of America, a studio founded by former Disney artists including John Hubley. After making a few films with some of Columbia's stock stars, UPA quickly took animation into a bold new direction, and transformed the landscape of American animation. UPA eventually fizzed out after the departure of Hubley, but their style of limited animation became the norm in independent American films over the next 20 years.

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